I like things that are free. I like libraries. Libraries have free things. Things like our amazing streaming service, Kanopy. Mead cardholders get 30 credits each month to spend on this video-streaming service. There is a staggering array of films from around the world, from throughout film history, and in a lovely array of genres to choose from. Films tend to be 2, 3, or 4 credits for each checkout. TV series are usually 3, 4, or 5 credits each. Most checkouts have a 2-to-7 day window in which to watch. Below, I listed how I spent my 30 credits over the month of July. My watchlist is getting longer by the day, and new movies are added each month, so it will be tough to run out of options.

But I’m a Cheerleader (1999) starring Natasha Leone and Clea Duvall
1h25m
2 tickets; 72 hour access
28 tickets left
This delightfully frothy confection of queer cinema pairs nicely with other camp classics like Adventures of Priscilla, Queen of the Desert (1994), Die Mommie Die (2003), Polyester (1981), Valley of the Dolls (1967), and Psycho Beach Party (2000). But I’m a Cheerleader is filled with bright colors, thoughtful characters, and an unbelievable cast. What’s Bud Cort and Mink Stole doing here? Oh, they’re just playing Natasha Leone’s gay-panicking parents, that’s all. Say, is that RuPaul? It certainly is. A pre-stardom Melanie Lynskey and Michelle Willaims in supporting roles? Yes, please! Something that really struck me about this film is that while the candy-colored stage and costume design indicate a 1960s setting, the world in a broader context is meant to be contemporaneous to the 1990s. On top of being a fun visual motif, it indicated the archaic nature of homophobia and concealing one’s authenticity to appease a slow-to-progress society at large.
9 out of 10 stars.

Bottle Rocket (1996) starring Luke and Owen Wilson
1h41m
4 tickets; 48 hour access
24 tickets left
I think I watched this after Rushmore put Wes Anderson on the map like 30 years ago, but I have no clear memories of this viewing. My second watch-through in July did not stay with me, either. Bottle Rocket was the competent work of a young film maker flexing his growing whimsical cinematic muscles. The Wilson boys acting debut is charming enough, but the plot deeply annoyed me and I hated every character because I have a dead heart. I am afraid to report that Bottle Rocket left Kanopy at the end of July 2025. Check it out at Mead on DVD.
3 out of 10 stars

Endless Night (1972) starring Hayley Mills and Hywel Bennett
1h39m
2 tickets; 72 hour access
22 tickets left
The first glimpse we get of Hayley Mills depicts her literally frolicking through a verdant meadow. One would expect an attempt to distance oneself from one’s Heidi roots, but one digresses. Endless Night is based on the late-in-her-career Agatha Christie novel of the same name, and I am a total sucker for her work. I am also extremely suspicious of all Christie protagonists, so I had my eye on ol’ Hywel from the start. A big, fancy house is at the center of this plot. It features a room whose floor opens up to reveal a swimming pool and I got pretty hung up thinking of how damp and musty everything must be. Lots of fun, but slow moving in spots. Anyone who watches Mystery on PBS will enjoy this movie.
6 out of 10 stars

The Naked Gun: From the Files of Police Squad (1988) starring Leslie Nielson and Priscilla Presley
1h25m
2 tickets; 72 hour access
20 tickets left
Who doesn’t love a guaranteed experience? As a child of the 80s I watched the everlovin shit out of The Naked Gun, Airplane, and Top Secret. I have not seen Naked Gun in decades, so thought it would be a fun nostalgia watch. And it was! Mostly. I had to tap out for the last 15 minutes because I ran out of credulity. I wish Priscilla Presley had starred in more films because I really enjoyed her acting. She is the right amount of genuine and game for physical dum-dum comedy. Also, the opening scene of OJ getting himself all sorts of injured remains one of the funniest sequences in American film history. PERIOD. The Naked Gun left Kanopy in July, but Kentucky Fried Movie is available at the time of this blog’s publication.
7 out of 10 stars

Now, Voyager (1942) starring Bette Davis and Claude Rains
1h57m
4 tickets; 48 hour access
16 tickets left
After the abject and unrepentant silliness of The Naked Gun, I needed a palette-cleanser, so I chose this wonderful 1942 Bette Davis melodrama, Now, Voyager. Davis plays the repressed, frumpy adult daughter of a controlling and imperious elderly heiress. She has a nervous breakdown and spends time at a rich lady asylum run by Claude Rains. She loses weight and stops wearing glasses, and is now pretty. She goes on a cruise instead of returning to the home of her controlling mother and falls in love with an unavailable man. More melodramatic stuff happens and there is a lot of ritual cigarette smoking. Now, Voyager also appears to have left Kanopy at the end of July, but as of August 2025 we still have access to several other incredible Bette Davis movies including Whatever Happened to Baby Jane and Dark Victory.
10 out of 10 stars

Dragnet (1951) written, directed, and starring Jack Webb
4h32m (10 episodes)
4 tickets; 5 day access
12 tickets left
I love police procedurals and Dragnet appears to be an ur text. Dragnet originated as a radio show, which shines through the dialogue of the televised version. I loved the black and white early fifties film stock. The print they used for digitization included a lot of cool artifacts (flaws in the film like faded stock, scratches, and distortion) which lends some good 1950s verisimilitude. I thought the plotting would be more stilted and conservative, but I found these ten episodes thrilling and thoughtful.
8 out of 10 stars

The Bookshop (2017) starring Emily Moritmer and Bill Nighy
1h52m
2 tickets; 3 day access
10 tickets left
I borrowed this on a hot day. I wanted something that felt far away from the heat, but that would not make me think too hard. The cast is filled with great actors I enjoy watching, so I gave it a try. Emily Mortimer wears this really amazing plaid wool coat that I cannot stop thinking about, so kudos to the costume department. Otherwise, I am not sure why this film exists. Pretty thin on the plot and I did not find the ending revelatory or satisfying in any way.
4 out of 10 stars

The Escape Artist (2013) starring
2h53m (three episodes)
3 tickets; 72 hour access
7 tickets left
An English limited series starring David Tennant as a talented junior barrister? Total no-brainer! Although, had I used more brain power initially I would have realized I had already watched this ten years ago when it first aired on PBS. It took me the better part of the first episode to come to this realization. Note to self, I can reliably re-watch tv series after 10 years and it will be a semi-novel experience. At least I only burned 3 tickets. This is a spooky one with themes of violence that can be sexual in nature, so beware.
8 out of 10 (from what I remember)

Los Angeles Plays Itself (2003) directed by Thom Anderson
2h53m
2 tickets; 72 hour access
5 tickets left
Documentaries about film and film history are one of my favorite things in the world. This near 3-hour long meditation on films set in Los Angeles takes us through neighborhoods and architecture that no longer exist. We learn about the Zoot Suit Riots and Angel’s Flight and Bunker Hill and how the myth of Hollywood will always overshadow the city of Los Angeles. Anderson clearly loves the city he grew up in. There’s this famous Roman Polanski quote: “Los Angeles is the most beautiful city in the world, as long as it’s seen at night and from a distance.” Los Angeles Plays Itself is a full-throated, and effective rebuttal to this sentiment. For being 20+ years old, this is a progressive doc in which racial and economic factors in the Hollywood machine are considered and discussed.
9 out of 10 stars

Crime Is Her Game (2014)
11h45m (8 episodes)
5 tickets; 7 day access
0 tickets left
Since I had 5 credits left at this point I thought it would be nice to choose a longer series that I could watch over the course of a week. This French import checked a lot of boxes for me. We’ve got an unlikely crime-solving duo, some fish-out-of-water hilarity, shiny costumes, eccentric guest characters, and lots of nonsense. Also, sanitary, off-screen murders that no one ever mentions again after the episode concludes.
8 out of 10 stars
July Kanopy stats
Movies: 5
Runtime: 9h59m
TV series: 3
Number of episodes: 21
Runtime: 19h10m
Documentaries: 1
Runtime: 2h53m
Total number of checkouts: 9
Total watch time: 32h2m
If this is a typical cumulative runtime for a month of Kanopy-watching, it looks like one credit equals roughly one hour of watch time. I actually had to scramble at the end of the month to use up my credits, so I never felt like I had to “budget” them.
Stray observations and criticisms:
When watching a tv series there is no autoplay option that I could find. I had to back up to the episode list and scroll down to find where I’d left off. THEN one must click to select the episode, and then click the little “play now” symbol. Not intuitive and sort of confusing. This is a minor complaint but I’m in my 40s now so I can if I want.
The “Browse” feature forces the user to scroll horizontally, so only six or so film titles are visible at a time in any particular category. I like to scroll vertically, and the horizontal scrolling has this annoying way of cutting off the film listed on the far right-hand side of the screen. I will say I prefer Kanopy’s interface over whatever the hell is going on at Disney+.
Keep in mind I am using Kanopy as a child-free adult. Children’s programming on Kanopy is free, Free, FREE for families, but I do not have any base of knowledge about what’s available and worthwhile. If streaming is not your bag, Mead is home to a delightful and diverse collection of DVDs and BluRay. Consider using our Your Next Five Movies service for film suggestions, and see you at the movies. (By which I mean free matinees start on Mondays in September. See the lineup HERE).



















