In June I decided to try and watch one movie a day for an entire year. The idea is, I will end up spending less time looking at the little handheld screen, and more time looking at the bigger, vertical screen. I’ve mostly been watching films featured in the Library of Congress Nation Film Registry, and more recently Sight and Sound’s Greatest Movies of all Time list. They’re great lists. I hope you take a look.
Below, I listed the films I watched over the last month in order of least to most enjoyed. I only actively disliked two pictures that I finished watching, so things get quite hair-splitty in the middle. All films are available in the Monarch catalog on DVD or BluRay. I also watched a handful of these films on Kanopy, which you can access with an active Mead Public Library account.
Experiment commenced June 30, 2026
Batch timeframe: Aug. 11- Sept. 13, 2026
Movies watched in that timeframe: 30
Total days elapsed: 76
Total movies watched: 59
Did Not Finish/Rewatch:
Hester Street (1975) DNF
Early on in the film, a man meets his family at immigration in New York City. He hasn’t seen his wife in several years, and maybe has never met his young son. He is short tempered and cruel to his wife and hits his son within 30 seconds of coming into contact with him. I could not go on.
Flower Drum Song (1961) DNF
While the cinematography is stunning to look at, everyone gets five guesses why I only made it halfway through this film.
The Black Stallion (1979) rewatch
This is one of my favorite movies of all time. It was on Kanopy and I had credits left, so I spent an evening steeped in nostalgia.
The watchlist:
How Green Was My Valley (1941)
I love John Ford, but I hated this movie and its sentimentality borne out via working class suffering. It had already fallen out of favor by the time I was old enough to be aware of film, so I never even heard of this movie until my adulthood. The big claim to fame for modern movie-lovers is that it won the Academy Award for Best Picture over not just The Maltese Falcon and The Little Foxes, but goddamn Citizen Kane.
Sergeant York (1941)
Gary Cooper, I hated your dumb pumpkin pie haircut and convenient moralizing that gave you permission to kill Germans as long as it’s for God and country. I consider this military recruitment propaganda of the lowest order. Cooper’s awe-shucks side-of-beef lunkhead country boy countenance annoyed me more than any other movie character I’ve encountered lately. Sergeant York was nominated for Best Picture alongside How Green Was My Valley so what do I even know.
VelociPastor (2019)
B is for “budget” movie, and fellas we’ve got a good one here. Physical copies are hard to come by, so I regret to inform you that at the time of this blog’s publication you’ve got to pay to stream. Here’s hoping that changes when the highly anticipated VelociPastor 2 debuts later in 2026.
The Night of the Iguana (1964)
This felt like John Huston trying to recreate the circumstances that made The Treasure of the Sierra Madre such a singular accomplishment. We’re in Mexico again, but instead of wily prospectors and murderous bandits we have jealous lesbian aunts, aging poets, and a very oily Richard Burton. It’s based on a Tennessee Williams play after all, so of course it’s sordid as heck. Ava Gardner is incredible.
The Man Who Came to Dinner (1941)
Jack Warner didn’t want to cast Monty Woolley in the starring role (which he originated on Broadway) because he was afraid the actor’s homosexuality would be obvious on-screen. This is the kind of thing I think about when I start to get a bit too rhapsodic about the golden age of Hollywood.
The Exiles (1961)
Great experimental doc about young Native Americans who choose life in the Bunker Hill neighborhood of Los Angeles instead of the reservation. Lots of moody, grainy, melancholy black and white footage of Angel’s Flight and the surrounding dilapidated bars and haunts.
The Pawnbroker (1964)
Watch this to feel empty and horrified!!!! This is the first film produced entirely in the US that dealt with the holocaust from a Jewish survivor point-of-view. It’s also the first Hays Code film to contain nudity, and helped catalyze studio movement away from the code completely.
Who’s Afraid of Virginia Woolf (1966)
Haha these people are a bunch of jerks, huh? I didn’t understand this picture.
Marriage Italian Style (1965)
Sophia Loren is sensational, but o! This movie was so mean-spirited!
Parking Lot Movie (2010)
This itches that Clerks-shaped spot many of my cohort had pressed into them in 1994. Most of my friends (and I) were over-educated and under-employed at the turn of the century, so there was a lot of pattern-recognition here.
Hud (1963)
Hud is the evil side of the Long Hot Summer coin. Hud, played by the ever-beautiful Paul Newman, is such a piece of shit I could hardly make it through this thing. Patricia Neal is the best she’s ever been, and she’s never been bad.
Becky Sharp (1935)
Aesthetically notable for being the first feature film to use the newly developed three- strip Technicolor technology. Indeed, it’s gorgeous to look at, and I loved the rapid-fire dialogue of the sharp-tongued Becky Sharp.
Little Fugitive (1957)
Shot in the style we would now call cinéma vérité, François Truffaut claims the French New Wave couldn’t have happened the way it did without this movie and that it inspired him directly when filming The 400 Blows.
Atlantic City (1980)
I was waiting for the worst character in this film to get murdered because I hated him so much and then he got murdered and I could really start to enjoy myself.
The Watermelon Woman (1996)
This film is unusual to the point that defies my description. It’s funny and sweet and romantic and even a bit edifying. It made me think about representation in film in a whole new way. Please watch this movie.
Five Easy Pieces (1970)
I didn’t know anything about this movie prior to watching, and was charmed with what I saw. The central dysfunction driving the plot made more sense to me than whatever was happening in Who’s Afraid of Virginia Woolf. Everyone was flawed, but so much more sympathetic than an Edward Albee character. Karen Black delivers the performance of her career.
Key Largo (1948)
That’s right, it’s another fabulous John Huston/Humphrey Bogart collaboration. Add in Lauren Bacall and Edward G. Robinson and you’ve got a highly watchable and troubling top-of-the-line film noir picture.
The Informer (1935)
The thing about John Ford is that he tends to work in at least one crazy bar fight in each of his films. The Informer is no different, and also features my other favorite Ford trope of incomprehensible drunken Irishmen. This morality play was filled with complex and hopeless people pushed to their limits by the circumstances they were born into.
Wanda (1970)
This movie is unique unto itself. Wanda is passive in her own life and has very few resources or prospects. She is totally apathetic in a world that doesn’t care about her. I understood Wanda and saw pieces of myself in her, so I loathed her and rooted for her and forgave her in a really personal way. Filmmaker Barbara Loden would die of breast cancer ten years later and I think that’s a really cruel thing for the universe to do.
Notorious (1946)
Good lord does Ingrid Bergman ever go through it in this Alfred Hitchcock masterpiece. How can Claude Rains be that charming AND a hidden Nazi?
Treasure of the Sierra Madre (1948)
John Huston’s dad, Walter Huston, originated the archetypal wise, grizzled prospector we all know and love with his role here. He’s astounding in a film packed full of towering performances, including Bogart’s finest turn as the loathsome Fred C. Dobbs.
The Ghost and Mrs. Muir (1947)
Gene Tierney is easy to watch whether she’s the femme fatale or the meek country wife and she seems to be having the time of her life here in The Ghost and Mrs. Muir. This short and sweet romance hit all of the expected beats and it didn’t matter that I knew how things would end. This is as cozy as it gets, folks.
The Man Who Shot Liberty Vallance (1962)
When Lee Marvin gets to go full-sneer as the villain I feel so happy. He’s mean and evil as Liberty Vallance and we are all actively rooting for his death in no time. I have a bigbrain and knew the title was trying to impart some subtext to the audience, so I had an inkling at what we were working up to. Anyone devoted to the western genre would love this film.
The Band Wagon (1953)
I struggle with musicals. The first musical I saw in my life was Singing’ in the Rain and it’s pretty hard to go anywhere but down from there. The Band Wagon was written by Betty Comden and Adolph Green who also wrote Singin’ in the Rain and this is right up there in quality. I was astonished to find myself welling up when Cyd Charisse and Bing Crosby finally danced together. They are my symbol for everything that goes right in Hollywood.
Lifeboat (1944)
This movie has everything! The horrors of war! A drowned infant! Madness! Amputation at sea! Nazis on amphetamines! Mob justice! Starvation! Suicide! Romance! Filming took extra long because cast members kept coming down with colds from being soaked and shivering all day.
Gun Crazy (1950)
Don’t look this up. It’s better to go in blind. Get yourself a copy from your local library, or stream it on Kanopy as soon as you can. Why isn’t this movie more well-known? I was breathless the entire back half of the film.
Red River (1948)
Another western? Oh yes, but this one is something else. It’s a story of found family, grit, and fortitude. It’s also kinda about being gay, but that’s mostly us thirsting after a very handsome Montgomery Clift comparing pistols with a very handsome John Cherry. I literally hooted and hollered. It scared the cats. One million out of five stars.
There are nearly 10,000 DVD and BluRay discs currently in circulation at Mead Library alone. With access to Kanopy and the rest of the Monarch system, we have a pretty healthy array of visual material at hand. I am happy to take suggestions. In fact, I LOVE being the only library in the system to own weirdo indy titles no one has heard of. Use the “Recommend a Purchase” tool to indicate what you’re after and selectors (me) will work to get that title out for circulation. We also have this handy Your Next Five Movies tool to use when it’s hard to choose from the 10,000 discs on the shelf.
I’d like to take a moment to brag about the condition of Mead’s DVD collection. Of the sixty or so movies I watched since June, only one skipped out of the whole bunch. The clerks who shelve and maintain our collections do an incredible job of keeping these materials useful for literal decades. Thank a library clerk that next time you’re in the building.
